If I could stand up and say This Is My Right and receive in response agreement on that statement from all who consider it, then I would never need to explain or fight or beg.… More
On a recent episode of The Real Housewives of Beverly Hills, Erika had a full-on meltdown during dinner with the other ladies. Unlike most of the housewives, she has been very reserved—not unfriendly to the other women but not chummy either. Throughout this season, she’s clashed with a newcomer to the cast, though she kept her feelings mostly to herself until this particular evening. In a deluge, all the hurt she’d held inside came rushing out. When another cast mate tried to say something helpful, Erika overreacted, lashing out at her, too. She reminded me very much of myself.
Forty-five-year-old Erika Girardi joined the cast last season. She’s a self-described homebody and tomboy who’s married to a high-powered lawyer, but she has an alter-ego—she performs as the dance club musical artist Erika Jayne, wearing ultra-sexy, ultra-glamorous outfits during her somewhat risqué shows. It’s a seemingly crazy contradiction: quiet, shy Erika Girardi vs. flamboyant Erika Jayne.
Recently on the show, she revealed that her mother had been hard on her while she was growing up. She called her mother a “disciplinarian” and said her mother had been very critical of her. She pointed to her mother’s treatment of her as the reason why she seldom cries and finds it difficult to connect with other women. Others have described her as cold, but she sees herself as tough. She was forced when very young to buck up, to handle things on her own, and she’s carried that directive inside herself all this time.
I can’t help wondering about the link between the child Erika not having a mother who was a solace to her and the grown Erika who tries to conceal her vulnerability from other women. This makes sense to me. It’s something I’ve recognized that I also do. Vulnerability often feels to me like a weakness that shouldn’t be revealed, and other women feel the most unsafe to me, probably because I want to avoid experiencing again the pain of motherly criticism or rejection. Continue reading “Correlations”
I never felt known as a child. When people looked at me, I felt they saw the shell but nothing underneath. I became what people wanted to see when they looked at me; in this way, I created the shell of myself that no one could see beyond.
I hid inside the shell. Instinctively I protected my tender core, the real part of me that I felt was not known. I wanted to be known. But being known felt dangerous. Yet over time, not being known also hurt me. I felt intensely lonely. Alone in the world, as if no one could understand my language.
I believed that my real mother would understand me. This was the story I told myself: My real mother somewhere out in the world loved me, and one day she would find me. She would know me without my having to explain anything at all about myself. She would know the colors and flavors I liked, she would know why I needed to have long hair, she would know why walking barefoot outside was the best thing and why I couldn’t see the world the way the people I lived with did. She would just know.
I didn’t have to create a fiction for myself because I knew somewhere in the world there was a woman inside whom I had become real. It was just that we weren’t together. I told myself we would be, and then I would become real again. I didn’t come from thin air, I couldn’t have, because I couldn’t fly. I came from water, just as everyone did, and I would swim again.
I didn’t want to be this mystical creature inside my shell. I wanted to be normal. Normal seemed good to me then, desirable. Born of a body. How odd I must have seemed, without a solid form. Without matter. I wanted to matter.
I knew my mother was somewhere out in the world loving me because I could feel it. We had a bond that could not be broken. And if I was with her, she would care about the core of me, the real me that no one cared enough about to even miss. I would be important to her, I told myself over and over, and this story gave me hope, and hope kept me going all the way out into the real world.
I’m participating in Vanessa Mártir’s #52essays2017 challenge. This is #9 of 52.
I committed to myself in 2016 that I would make more of an effort to get my writing out into the world. I submitted my work to publications more often last year than ever before. For the writers among my readers, here’s a breakdown of how that went:
I submitted individual pieces (poems, essays, and stories) 70 times, to 25 different outlets. Twice I submitted directly to an editor; the other times, I submitted via whatever means the publication specified on their website—Submittable, some other system, or email. I drafted multiple versions of cover letters as well as my biography, tailoring them for specific markets. I reported most of my submissions on Duotrope, which I’ve been using for several years. I also began keeping track of my intentions and outcomes for specific pieces and markets on a spreadsheet.
In some cases, I responded to calls for themed submissions; other times, I fervently searched for the best home for a piece; occasionally, I entered contests. I spent $12 on sample issues and $15 on contest fees. Continue reading “A Year of No”
Last week I got sick with a nasty cold, and I wanted badly to check out of my life for a few days. There were things I should have done that I didn’t do, as happens when one is sick. The hardest thing about being sick, though, for me, as a mother, is letting down my kids. I got to thinking about this after I blew up at them one evening when I was feeling particularly sorry for myself and wanting to be the one cared for instead of the one who always has to do the caring. The incident itself was unremarkable, but for days afterward, I ruminated on our relationship to each other, on the roles of mother and child.
Mothering is more difficult than I ever imagined it would be before I became a mother. The first few weeks after my son was born, I remember being in a state of shock over the fact that I could not go anywhere ever again without either taking him with me or arranging for his care while I was gone. This should have been expected, but it was something I’d never contemplated previously. I had been a singular, independent being, then suddenly I was one half of a conjoined duo. Another being was completely dependent on me for survival. Yes, sure, I had help from my husband, who is a very hands-on dad, but that didn’t change the fact that primarily it was me who had the responsibility of making sure our son’s needs were met.
It is still me, the mother, that my now teen and preteen kids depend on. Nothing is right in the world if I do not listen to their stories, if I do not help them with their school projects, if I do not counsel them on their friendships. I am expected to provide them food and remind them to eat it. I am the one they need to take them shopping when they outgrow their clothes and shoes. I am the one who calls the right doctor and gets them the right medicine and holds them close no matter how contagious they are. My husband is still the hands-on dad he’s always been, but I am always the one my kids need above all others.
I am the mother, and mothers are supposed to care for their kids before anyone else, including themselves. I know that my kids love me, but I understand also that their love is based on my satisfying the need they have for a caring mother. Last week they knew I was sick, and I know they cared that I was sick, but that didn’t stop them from needing me to care for them. When I lashed out in protest, they experienced, for a brief moment, the despair of not having a mother who cared about their needs. Shortly thereafter, I apologized to them and, within a few hours, they had recovered from their brief despair and our relationship was back to normal. That was only possible because I have proven to them repeatedly, through our daily interactions, that I do care about their needs. Continue reading “Mother Love”
I find it difficult to give up on anything I’ve written. I don’t like the feeling of putting time and effort into a piece only to see it fail, so I tend to stick with crappy older work too long.
I’m reminded of college, the first time, right after high school. Before I got there, I’d decided to major in computer science, but before I finished, I knew I’d made the wrong choice. I didn’t stop, though. I didn’t change my major. I felt too invested in it, in terms of both time and money, to start all over. I was impatient to begin my adult life. Never mind that I’d been an adult already, working a full time job, for several years. I’d assumed the identity of computer-science-major-who-will-graduate-and-get-a-high-paying-job-with-a-guaranteed-pension-and-medical-insurance. Not because I cared very much about computer science and not because I couldn’t make a life working the job I already had. I built my identity around what I thought I was supposed to want and do as a high school honor student whose parents preached stability. To not finish college, or even to prolong my time there by changing my major, would be to fail, in my mind. I was determined to finish what I’d started, and I felt I was running against the clock of my life.
What followed was nearly a decade of heartache. I graduated and I got that so-called great job, but the longer I had it, the more miserable I became. By not giving up on a poorly chosen college major, I’d given up on myself. Continue reading “No Time to Waste on Haste”