On a recent episode of The Real Housewives of Beverly Hills, Erika had a full-on meltdown during dinner with the other ladies. Unlike most of the housewives, she has been very reserved—not unfriendly to the other women but not chummy either. Throughout this season, she’s clashed with a newcomer to the cast, though she kept her feelings mostly to herself until this particular evening. In a deluge, all the hurt she’d held inside came rushing out. When another cast mate tried to say something helpful, Erika overreacted, lashing out at her, too. She reminded me very much of myself.
Forty-five-year-old Erika Girardi joined the cast last season. She’s a self-described homebody and tomboy who’s married to a high-powered lawyer, but she has an alter-ego—she performs as the dance club musical artist Erika Jayne, wearing ultra-sexy, ultra-glamorous outfits during her somewhat risqué shows. It’s a seemingly crazy contradiction: quiet, shy Erika Girardi vs. flamboyant Erika Jayne.
Recently on the show, she revealed that her mother had been hard on her while she was growing up. She called her mother a “disciplinarian” and said her mother had been very critical of her. She pointed to her mother’s treatment of her as the reason why she seldom cries and finds it difficult to connect with other women. Others have described her as cold, but she sees herself as tough. She was forced when very young to buck up, to handle things on her own, and she’s carried that directive inside herself all this time.
I can’t help wondering about the link between the child Erika not having a mother who was a solace to her and the grown Erika who tries to conceal her vulnerability from other women. This makes sense to me. It’s something I’ve recognized that I also do. Vulnerability often feels to me like a weakness that shouldn’t be revealed, and other women feel the most unsafe to me, probably because I want to avoid experiencing again the pain of motherly criticism or rejection. Continue reading “Correlations”