If I could stand up and say This Is My Right and receive in response agreement on that statement from all who consider it, then I would never need to explain or fight or beg. In this perfect world of imagination, every person would be born with the knowledge of the complete set of rights due to each of us, and each of us would be treated equally, without necessity of debate.
In the world of actuality, we live in a nation of vast numbers of diverse people who do not all agree on basic human or civil rights. Is every one of us entitled to a living wage, to health care, to education? Is every one of us entitled to marry whomever we choose? Is every one of us entitled to relieve ourselves in the public bathroom that best suits us?
We don’t agree on how basic services should be paid for, who should run them, or what those services should include. We don’t agree on who should be forced to live or be allowed to die, or on who should be able to decide these questions.
When we talk about human rights or civil rights, often an assumption is made that these are so basic, so intrinsic to every person’s well-being, that every person should, of course, at least agree on how these are defined. Except, this is not our reality. We do not all agree even at this basic level, and the fact that we disagree so deeply is the reason each of us must fight for those rights we feel should be basic tenets of our very existence as human beings. Continue reading “The Perfect World We Do Not Have”
On a recent episode of The Real Housewives of Beverly Hills, Erika had a full-on meltdown during dinner with the other ladies. Unlike most of the housewives, she has been very reserved—not unfriendly to the other women but not chummy either. Throughout this season, she’s clashed with a newcomer to the cast, though she kept her feelings mostly to herself until this particular evening. In a deluge, all the hurt she’d held inside came rushing out. When another cast mate tried to say something helpful, Erika overreacted, lashing out at her, too. She reminded me very much of myself.
Forty-five-year-old Erika Girardi joined the cast last season. She’s a self-described homebody and tomboy who’s married to a high-powered lawyer, but she has an alter-ego—she performs as the dance club musical artist Erika Jayne, wearing ultra-sexy, ultra-glamorous outfits during her somewhat risqué shows. It’s a seemingly crazy contradiction: quiet, shy Erika Girardi vs. flamboyant Erika Jayne.
Recently on the show, she revealed that her mother had been hard on her while she was growing up. She called her mother a “disciplinarian” and said her mother had been very critical of her. She pointed to her mother’s treatment of her as the reason why she seldom cries and finds it difficult to connect with other women. Others have described her as cold, but she sees herself as tough. She was forced when very young to buck up, to handle things on her own, and she’s carried that directive inside herself all this time.
I can’t help wondering about the link between the child Erika not having a mother who was a solace to her and the grown Erika who tries to conceal her vulnerability from other women. This makes sense to me. It’s something I’ve recognized that I also do. Vulnerability often feels to me like a weakness that shouldn’t be revealed, and other women feel the most unsafe to me, probably because I want to avoid experiencing again the pain of motherly criticism or rejection. Continue reading “Correlations”